In a movie project conceived by Spike Lee and Al Sharpton, Harry Potter isn’t some faggot cracker waving a stick around, he’s a happening brother with a mission: bring whitey to his knees using black magic and high end ass kicking. Step one, grab that sweet piece Hermione, stash her in the dungeon at Dawgfartz and bring her around to the dark side. “I see Harry as a sexual dynamo, said Spike Lee, on the set of MF*** Potter. That wand he’s using gots eleven inches of black magic that those Wal-Mart twins Fred and George Weasly can only wish they had.” Although many of the plot points remain under wraps, Lee was quick to reject criticism that his project was an attempt to recapture the potent imagery of such early black exploitation films as “Shaft” and “Superfly”. Kickin’ it in his on set trailer crib, Lee heaped scorn on his detractors. “Me and the Reverend Sharpton are light years ahead of what was doin’ back then. This joint (translation: film) takes a contemporary dawg of the hood and sets him square in the face of what Hollywood thinks is the juxtaposition of black art and the happening of cool.” This description makes perfect sense to black film critic Jumal Wyatt. “What you have to understand is the negro-fication of this new century in terms of film and theater. You won’t be seeing black film makers wasting time on science fiction about extracurriculars coming to shake things up. The black man gonna shake things up and he’s already here. That’s why MF*** Potter takes Hermione into his embrace. In essence he’s saying, ‘we come for your women whitey…. and we come over and over and over again’, so get used to it’. I trust I’m not giving too much away when I say that the transformation of Hermione from tight ass British prude to big booty Ghetto Queen is going to rankle some in the white community, but Spike Lee is all about raising hackles. They better brace themselves for the next installment, ‘Spawn of Harry MF*** Potter: Hermione Burps One Out’. I believe that one will be in 3D’